| چکیده |
Contents: Acknowledgements Note on the text Introduction: Disability and/as Theatricality 1 The Work of Standing and of Standing-for: Disability, Movement, Theatrical Personation in The Fair Maid of the Exchange 2 The Sound of Prosthetic Movement: Transnational and Temporal Analogy in A Larum for London 3 'Faustus has his legge again':Truncation and Prosthesis, Theatricality and Bibliography in Doctor Faustus 4 Richard's 'giddy footing': Degree of Difference and Cyclical Movement in Shakespeare's Richard III NotesBibliographyIndex.
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