| چکیده |
Contents: Introduction Petra KuppersTexts and Complexities Chapter 1: Pain proxies, migraine and invisible disability in Renée French’s H Day Susan HoneymanChapter 2: At the intersection of Deaf and Asian American performativity in Los Angeles: Deaf West Theatre’s and East West Players’ adaptations of PippinStephanie LimChapter 3: The blind gaze: Visual impairment and haptic filmmaking in João Júlio Antunes’ O jogo/The Game (2010)Eduardo LedesmaChapter 4: What are you looking at?: Staring down notions of the disabled body in danceMeghan Durham-WallDiscourse Analysis: Cultures and Difference Chapter 5: Troubling images? The re-presentation of disabled womanhood: Britain’s Missing Top ModelAlison WildeChapter 6: Representations of disability in Turkish television health shows: Neo-liberal articulations of family, religion and the medical approachDikmen Bezmez and Ergin BulutChapter 7: The portrayal of people with disabilities in Moroccan proverbs and jokesGulnara Z. Karimova, Daniel A. Sauers and Firdaousse DakkaPeople’s Voices: Qualitative Methods Chapter 8: From awww to awe factor: UK audience meaning-making of the 2012 Paralympics as mediated spectacleCaroline E. M. Hodges, Richard Scullion and Daniel JacksonChapter 9: Disability in television crime drama: Transgression and accessKatie EllisChapter 10: ‘It’s really scared of disability’: Disabled comedians’ perspectives of the British television comedy industrySharon LockyerEthnographic Approaches: Project ReportsChapter 11: Re-voicing: Community choir participation as a medium for identity formation amongst people with learning disabilitiesNedim HassanChapter 12: Dancing as a wolf: Art-based understanding of autistic spectrumconditionKevin BurrowsChapter 13: Disabling ability in dance: Intercultural dramaturgies of the Thikwa plus Junkan ProjectNanako NakajimaChapter 14: Swimming with the Salamander: A community eco-performance projectPetra Kuppers
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